by Sylvia Fowler
Not Without my Daughter, the story of an American woman moving to Iran in 1984 with her daughter and Iranian husband, has become so accepted as a stereotype that no other book will ever have to be written by a Western woman who has married a Middle Eastern man and moved to his country.
If you believed that, you would not still be reading.
After 9-11, I was asked to speak at a local college about my experiences in Saudi Arabia. (I had married a Saudi and lived in his country for almost two decades.) That speech led to others and a wonderful agent who loved what she read of my memoirs. Her name was Jessica Woollard. She was very literary, hard working, drawn by exotic lands, and proud of a prestigious clientele. She signed me and encouraged me to go on honing the manuscript, knowing that to write about and make sense of one’s own life is harder than writing a novel.
Ms. Woollard sent my manuscript out at the very onset of the huge financial shock sustained by Wall Street and the world. An assortment of editors from publishing houses large and small read the manuscript but hesitated, knowing that several years’ worth of reality TV shows and a glut of memoirs by service people or journalists in Iraq or Afghanistan would put my own story in the shadows, though I had a perspective none of those writers even come close to.
I appreciate the praise received even if the editors declined to take me on in these difficult economic times. Their reactions have encouraged me to continue revising and readying this manuscript on my own, even while working on other projects.
“Sylvia’s story is a powerful one and she tells it movingly and well.”
— Helen Garnon-Williams, editor in 2008 with Bloomsbury, UK.
“I think there’s lots of powerful material here — the scene of her labour in the public hospital is very shocking; the material on the other women she encounters is also strong. Her own story is well told, but I wondered if the fact that it is perhaps not as extreme as some women’s stories in this region that have become books might be an issue and might be an obstacle to us reaching the widest market with it. I did find it personally very interesting to read though, and am sorry not to be able to join in on this one.”
— Eleanor (no last name appeared in forwarded email from agent), an editor with John Murray, UK.
–Anya (no last name given in forwarded email from agent) editor in 2008 for Canongate, an independent UK publisher.
“The challenges Fowler faced in Saudi Arabia are elegantly depicted, and the language is extremely lucid and yet poetic all at once.”
–Alane Mason, editor in 2008 with WW Norton.
“I was gripped by this and amazed that she put up with so much and stood by him for so long – it sounds wholly hellish. . . . This has been a very tough decision and I’m still partly in two minds.”
–Venetia Butterfield, editor in 2008 with Penguin Group, UK.